Monday, February 20, 2012

Downton Abbey: Season 2 (Original U.K. Edition) [Blu-ray] price


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Season 2 of the Emmy® Award-winning Downton Abbey returns as The Great War rages across Europe, and not even the serene Yorkshire countryside is free from its effects. The men and women of Downton are doing their part both on the front lines and the home front, but the intensity of war only serves to inflame the more familiar passions love, loss, blackmail, and betrayal.


Sunday, February 19, 2012

Drive (+ UltraViolet Digital Copy) [Blu-ray] (2011) review


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Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon makes a deal with a couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. Fennessy Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense.


Saturday, February 18, 2012

Moneyball (Two-Disc Blu-ray/DVD Combo + UltraViolet Digital Copy) (2011) price


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It's amazing that Moneyball makes baseball statistics seem fascinating--but that's because it's not really a movie about numbers, and it's not really a movie about baseball, either. It's about what drives people to take risks--in this instance, Billy Beane (played by Brad Pitt), general manager of the Oakland A's, who's just had his best players poached by teams that can afford to pay a lot more. Fed up with how money twists the game, he listens to Peter Brand (Jonah Hill), who persuades him that certain players are being undervalued for trivial reasons--that statistics reveal hidden strengths that could, when used in the right combinations, produce a winning season. Beane takes Brand's advice, then has to fight everyone else around him to follow it through. Moneyball skillfully takes the audience into Beane's psyche. Pitt is in excellent form; it's an understated but magnetic performance, the kind that rarely wins awards but should. Pitt has the physical presence of a former athlete and vividly expresses the mind of a man who's never achieved success but isn't ready to give up. Director Bennett Miller (Capote) shapes the supporting cast (Hill, Philip Seymour Hoffman, Robin Wright, and others less recognizable but just as solid) as carefully as Beane shapes his team. Miller has a few flashy (and highly effective) moments of sound manipulation and editing, but Moneyball is carried by its superb performances. --Bret Fetzer Oakland A's general manager Billy Beane (Brad Pitt) challenges the system and defies conventional wisdom when his is forced to rebuild his small-market team on a limited budget. Despite opposition from the old guard, the media, fans and their own field manager (Philip Seymour Hoffman), Beane - with the help of a young, number-crunching, Yale-educated economist (Jonah Hill) - develops a roster of misfits…and along the way, forever changes the way the game is played.


Friday, February 17, 2012

Rise of the Planet of the Apes (Two-Disc Edition Blu Ray + DVD/Digital Copy Combo) [Blu-ray] (2011) price


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A galaxy's worth of nihilism buried under a '70s Velveeta topping, the Planet of the Apes series stands today as a dark marvel of pop cinema, a group of wildly variable films that combine to form a giant inescapable kiss-off to the human race. (That said message was able to withstand such distractions as ever-cheapening makeup and Charlton Heston loudly pounding sand makes its achievements even more impressive, really.) Boasting a keen awareness of its predecessors' particular charms and a gem of a central CGI performance by Andy Serkis, Rise of the Planet of the Apes makes for a rather miraculous summer movie: a big-budget special effects extravaganza that also delivers a killer backhand. Sort of redoing 1972's Conquest of the Planet of the Apes, the film follows the events set in motion when a bereaved scientist (James Franco) attempts to create a cure for Alzheimer's, resulting in a supernaturally intelligent chimp named Caesar. The old bit about science tampering in God's domain quickly applies. Director Rupert Wyatt (The Escapist) displays an admirable sense of pacing, deftly levying the escalating action scenes with small character moments from the likes of John Lithgow and Brian Cox. That said, the film belongs to Caesar, whose path from wide-eyed innocent to reluctant revolutionary generates the ironic pulp empathy that gave the original series such a kick. Watching the climactic confrontation on the Golden Gate Bridge, it's distressingly easy to figure out which side to root for. Chuck Heston would no doubt grit his teeth in approval. Note: Those skeptical that this revamp could wholly retain the original's doomy backbeat would do well to stick around during the end credits. --Andrew Wright Related Products More Apes         Books Music  More From the Stars of Rise of the Planet of the Apes James Franco        Andy Serkis Freida Pinto Rise of the Planet of the Apes is a revolution; an action-packed epic featuring stunning visual effects and creatures unlike anything ever seen before. At the story's heart is Caesar (Andy Serkis), a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator (James Franco), Caesar ultimately finds himself taken from the humans he loves and imprisoned. Seeking justice, Caesar assembles a simian army and escapes -- putting man and primate on a collision course that could change the planet forever.


Thursday, February 16, 2012

Boardwalk Empire: The Complete First Season [Blu-ray] (2010) review


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In fine (and bloody) style, HBO's Boardwalk Empire returns to 1920 when the ban on booze led to a syndicate of bootleggers and smugglers. Created by Sopranos scribe Terence Winter and coproduced by director Martin Scorsese, the story centers on Atlantic City treasurer Enoch "Nucky" Thompson (Steve Buscemi), who schemes in private while preaching temperance in public (Mark Wahlberg and Tim Van Patten also serve as producers). Jimmy (Michael Pitt, Buscemi's Delirious costar), a war veteran, acts as his right-hand man, while zealous Agent Van Alden (Michael Shannon) and refined mobster Arnold Rothstein (A Serious Man's Michael Stuhlbarg) represent significant threats to his enterprise. Nucky's other associates include his sheriff brother Eli (Shea Whigham), sexpot girlfriend Lucy (Paz de la Huerta), and distributor Chalky (The Wire's Michael K. Williams). If Nucky has little regard for law and order, his soft side emerges in his dealings with Irish immigrant Margaret (Kelly Macdonald, excellent), who segues from abused wife to kept woman. As Nucky puts it, "I try to be good. I really do." After he sends Jimmy away a spell, his sidekick joins forces with Al Capone (Stephen Graham, Public Enemies) and disfigured vet Richard Harrow (Jack Huston), abandoning his son, common-law wife Angela (Aleksa Palladino), and mother Gillian (Gretchen Mol), who has a fling with Lucky Luciano (Vincent Piazza). Inspired by Nelson Johnson's book, Boardwalk Empire takes a Deadwood-like approach to history by combining characters both factual and fictional with blue language and ladies without brassieres. Winter, who won an Emmy for The Sopranos episode Pine Barrens, takes liberties with the historical record, but the series never claims to represent the truth and nothing but--which is only fitting when everyone's hiding secrets. If the entire ensemble deserves praise, Buscemi rules the show as thoroughly as Nucky rules the city. --Kathleen C. Fennessy From Terence Winter (Emmy®-winning writer on HBO's The Sopranos) and Oscar®-winning director Martin Scorsese, Boardwalk Empire is set in Atlantic City in 1920 at the dawn of Prohibition. The series chronicles the life and times of Enoch Nucky Thompson (Steve Buscemi), the city treasurer whose double role as politician and bootlegger makes him the city's undisputed czar at a time when illegal alcohol has opened up highly lucrative opportunities for rumrunners and distributors. In a city defined by notorious backroom politics and vicious power struggles, Nucky must contend with ambitious underlings, relentless Feds, rival gangsters -- including Arnold Rothstein, Lucky Luciano and Al Capone -- and his own appetite for women, profits, and power.


Wednesday, February 15, 2012

Bond 50: The Complete 22 Film Collection [Blu-ray] price


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Collectible box set featuring all 22 James Bond films on Blu-ray disc in one complete offering for the first time. Collection includes all 22 James Bond feature films from Dr. No to Quantum of Solace and more than 130 hours of bonus features including never-before-seen content from the Bond archives, and more. One disc of brand new bonus content approximately one hour in length. 9 titles available on Blu-ray for the first time ever: Goldeneye, Octopussy, The Spy Who Loved Me, You Only Live Twice, The Living Daylights, Tomorrow Never Dies, Diamonds are Forever, A View to a Kill and On Her Majesty’s Secret Service.


Tuesday, February 14, 2012

Manhattan [Blu-ray] (1979) review


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Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalog of Things that Make Life Worth Living. But Manhattan is also distinguished in the realm of home video as the first motion picture to be released only in a widescreen version. You wouldn't want to see it any other way. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more unsolvable, terrifying problems about the universe." It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favorite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvelous kind of negative capability.") The movie's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me," and "It's very important to have some kind of personal integrity." OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson